Art and science, sic et simpliciter, in its entire fragmentation – this is the title of the lesson of Lawrence Weschler, author of “Mr. Wilson's Cabinet of Wonder”, Pulitzer Prize finalist, entirely centred on a formidable contemporary Wunderkammer, suspended halfway between what is possible at a scientific level and what is incredible at a narrative level. Followed by a visual essay curated by the art critic Francesco Bernardelli, and a work by the composer Paul Beauchamp.